A MOMENT WITH…Michael Ruhlman

Michael Ruhlman is the author of nine books including Ratio, Charcuterie, and The Soul of a Chef, as well as the co-author of seven cookbooks written with notable chefs, including The French Laundry Cookbook.  He regularly writes about food for the New York TimesLos Angeles Times, on the web at Ruhlman.com and other food journals.  He has appeared as a judge on Iron Chef America, The Next Iron Chef and PBS’s Cooking Under Fire.

His latest book, the award winning ‘Ruhlman’s Twenty’, is available at Mac’s Backs locally and online to the world.  A fantastic book for every kitchen.

What is a typical day for you, how does your day unfold? My day used to be a lot more regular than it is now. When I was writing general nonfiction I would get up early and be at my desk at 7:30 and write until 11:30 and then be back at my desk at 3:00 and I’d write until 6:00 and… that’s how I wrote books…then by necessity I started to do all kinds of different things – writing cookbooks, making product, doing Internet commerce.  I have fragmented days now and I don’t have a routine day. But I do spend the first two hours of the day writing and after that it is whatever needs to be done – writing copy for Internet commerce, social networking (which I spend a lot of time doing and which as been very valuable).

However, I always like to make dinner for my family. I think that it is important that a family eats together – and that food is cooked in the house.

What are your favorite aspects of living in the Heights? What I love about living in Cleveland Heights is it’s proximity to everything you need and it’s scaled for pedestrians and not automobiles. Los Angeles is scaled for the automobile and it is spread out and sprawling and awful.  I can walk just about anywhere I need to go here – the grocery store, the library, Coventry. The only thing I can’t walk to is the Post Office, but other than that – I’m good.

I love the old houses.  I love the old street design, trees, affordability.  We live in a house that we couldn’t afford if we lived in Washington DC, Boston or any other bigger city. It has everything I could possibly want or need.

It is always been my belief that America has harmed itself by being a nation of vagabonds, by moving around and raising their families in series of disconnected homes.  I’ve only ever seen myself living in either New York, which I was never really happy in or living in Cleveland – my home.  It’s who I am.  It’s what I know. I know who I am – because I live here.

In the background, James (Michael’s son) nodded his head in affirmation as Michael spoke to me on the phone for our interview. (I was told)

If you could change anything about the Heights, what would it be?  I would not change anything. I would prevent old houses from being torn down. I would work to remove any blemishes on the city’s major architecture especially concerning the appalling architecture design that took over in the 1960’s.

One of the greatest things to happen to Cleveland Heights was that they didn’t put a freeway through it – which they wanted to do.  The only thing ‘difficult’ about Cleveland Heights is that it takes 15 minutes to get to any major freeway.  Some people think that’s an inconvenience but it’s really one of Cleveland Height’s greatest assets.  It wouldn’t be half of what it is today if they had put a freeway through it.

What is your favorite restaurant in town?  What’s the best thing on the menu? 

The Greenhouse Tavern – and I say that with such great respect for so many great chefs and restaurants in Cleveland.  From Lola to Fire, to Momocho to Flying Fig. Tonight we have reservations at Spice Kitchen & Bar on the west side, which I am looking forward to.

There are so many great restaurants but what I love about Greenhouse is that it’s just so original.  Jonathon Sawyer is such an exuberant cook, and his love of life comes through in the food. He is a force of nature and the food is just my favorite kind of food there is. He has a great beef tartar that is hand ground to order – served with fries and aioli.  They do a chicken fried lamb shoulder steak – you know that kind of thing is zany and delicious and wonderful.

I can’t say what the best thing on the menu is (it changes all the time) but my favorite dish because of it’s simplicity and it’s deliciousness is the foie gras with clams. Which they can’t take off the menu because people would become too angry!

When did you first have the ‘experience’ of a meal, of a combination of food?  It’s such an interesting question you ask. What a great question that is.  My dad grilled a lot, we grilled all year ‘round and I loved it when he grilled ribeyes. I loved the potatoes with them. We would also put Vidalia onions, when they were in season in the springtime, we would wrap them in foil and put them in the coals.  It was eating those meals, those fabulous fatty juicy delicious ribeye steaks with a baked potato with butter,and those grilled onions that I realized “Wow! – this is so great, the steak wouldn’t be nearly as good without the potato or without the grilled onion.”

I think I was fourteen or fifteen when I recognized that. I don’t think the quality of the food matters. Maybe it’s Dinty Moore’s beef stew you ate in the 70’s because your Mom was working and didn’t have time to make the real stuff.   So that Dinty Stew becomes your pet stone.  It’s the food itself, not the quality of the food.

If you could go back in history and have a meal with anyone, who would it be? Why? And what would you cook for them?  It would be Jesus Christ, because I have a lot of questions.  I would cook him an omelet and make him some really good bread.

What is the best thing about your job? There is no one best thing…but I guess the one best single thing is that I am in charge of my own time. I get to decide what I do, when I do it. I have always been a rogue – I’ve never been much of an employable person. So, I had to figure a way to be able to work for myself. I also always knew I wanted to be a writer, ever since I was in fifth grade.

The best part about my job is that it allows me to write for a living – to earn my daily bread through the thing I love to do most.  It’s what we all crave I think, and only a few of us are lucky enough to achieve.  But, I think if more people did what they loved – and followed through with it we’d have happier people – and the world would be better. I think we have stopped doing what we love.

You mentioned in your recent book, you always grab an onion when you grocery shop because you never want to be without on in the kitchen.  Anything else you always grab for?  

The shallot: It is a powerful and useful ingredient to have on hand. It really boosts the  flavor of so many different things and gives you great accessibility.

Fish sauce: It makes everything taste better without calling attention to itself. Of course, I put it in Thai chicken with macadamia nuts (for my daughter who love the dish at Lemon Grass in Cleveland Heights). But it also makes my tomato sauce taste better. That umami quality that is so excellent. It makes macaroni and cheese better – everything is alittle bit better with this umami ingredient.

What’s the most under rated yet ‘go to’ kitchen implement you use? The flat edged wooden spoon. Another great one that is unused, I just learned of this from Michael Simon is the plastic bowl scraper. Which now I always have say when I’m transferring minced onions to a pan, I just scoop them up with the scraper.  Someone gave one to me at a conference as their calling card. I am making kitchen tools with Mac Dalton (who also lives in Cleveland Heights) and I’m making one with my various ratios on it which we give out with our kitchen tools. That… and a BIG CUTTING BOARD. People hinder themselves by doing their prep work on too small a surface.

It’s not really about foie gras and clams. It’s about cooking at home and cooking at home means using a wooden spoon and using a wooden board that doesn’t hinder you.

For the beginner cook, where does one start?  

That’s really why I wrote “Ruhlman’s Twenty” to show anybody that cooking isn’t that hard and if you know just twenty basic things you can do just about anything. I would also encourage people to do the same recipe that they like over and over again and pay attention to the differences each time. I think too many people read a recipe, do it and then move on. This is something Thomas Keller always recommended to me and it’s advice I deem worth repeating.

 

What books are you reading at the moment? I am reading the galleys of my mentor of Reynolds Price. It was his last book, called Midstream.  He was in the middle of it when he died.That’s really why I wrote “Ruhlman’s Twenty” to show anybody that cooking isn’t that hard and if you know just twenty basic things you can do just about anything. I would also encourage people to do the same receipt that they like over and over again and pay attention to the differences each time. I think too many people read a receipt, do it and then move on. This is something Thomas Keller always recommended to me and it’s advice I deem worth repeating.

Patrick Melrose novels. They are very good but very difficult and grim.

Food wise, I just got and can’t wait to read Peter Kaminsky’s Culinary Intelligence: The Art of Eating Healthy (and Really Well).  Basically it’s about how a guy, a food lover such as myself – who hits middle age and realizes that his body just cannot get rid of the extra calories that it used to burn up easily and how he changed his eating to best maintain his satisfactions and yet eat more healthy.

What world topics are you most interested in? Food production.  Where our food comes from and how we get it, cook it and how we eat it.  That covers everything from climate to our families to our personal bodies and our personal health. We’ve taken food for granted for so long, it’s been so ubiquitous, so easy to get that we’ve forgotten how fundamental it is to our humanity. And, we have only realized how fundamental it is to our humanity once it started to make us sick and making the earth sick. Now we are paying attention to it.

World peace is also high up there!

I know you haven’t thought about breathing today, but if you weren’t able to breath – that would be pretty much the only thing you would be thinking about. We stop thinking about what we take for granted and we do so with food at our peril.

Who are your heroes in real life? My biggest hero is my Dad.

Thomas Keller is a culinary hero for he has never compromised his standards and has grown a business that deserves it’s accolades, and it’s prominence that has gone from employing 20 people to 1000 –  creating some of the finest food in the country and therefore the world, employed many and spreading a great ethic of hard work, of getting better every day, trying to do alittle better every day.  I would not be where I am with out Thomas Keller.

Do you have a motto you live by? No…I don’t have a motto… well a mantra, Yes.  Do what you love, do it well, do it all the time – and the world will be better. That’s pretty much all there is to it.  Be good to people.  Go out there and actively be good to people.  I could do better at that – I’m kind of a loner… Cook your own food for you and for your family, your friends and those you love.  Someone in your clan needs to be the cook.

Can you share with us a favorite comfort food receipt of yours? Poached eggs with spinach (more healthy and quite easy) or pasta carbonara.  (See below)

———————-

Many thanks to Michael Ruhlman for sharing with us today.  Visit: http://ruhlman.com/ for further reading and information on the cooking world and Michael Ruhlman.

Poached egg on a bed of sautéed spinach, photo by Donna Turner Ruhlman

Poached Egg on Sauteed Spinach

  • 2 tablespoons butter
  • 1 shallot, sliced, chopped or minced
  • 1/2 to 3/4 pound spinach, rinsed
  • a few drops of vinegar or squeeze of lemon
  • 2 -4 eggs (one per person)
  • 1/2 baguette or other tasty bread
  • garlic clove, drizzle of olive oil or a little butter for the bread (optional)
  • salt and pepper to taste
  • 2 – 4 glasses cold white wine (optional but recommended)

Put the shallot and butter in a large saute pan over high heat.  Fill a sauce pan with water and put it on to boil.  When the butter is melted and bubbling, give the shallots a stir, then add your spinach to the pan.  Use tongs to turn the spinach so that it cooks evenly.  Give it a three fingered pinch of salt and a few cranks of pepper.  When it’s three-quarters wilted, turn the heat to low and leave it alone. 

Put your bread in the toaster oven to toast (this may be the most complicated part of the cooking if your toaster oven is like mine, so prepare in advance if necessary).

When the water boils, crack your eggs into it and turn the heat to low.  Butter your toast (rub it with the sliced side of a garlic clove first if you want), or drizzle it with tasty olive oil.  Season your spinach with drops of vinegar or a squeeze of lemon.  Make a small bed on each plate.  Remove the eggs using a slotted spoon and when the white is congealed and the yolk is still soft, hold cloth or paper towel below the spoon to let water drain, then place the egg on the spinach. Finish the eggs with more salt and pepper.  Serve with the white wine.

 

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If Only | Polaroid had hired… me!

On the Staten Island ferry

On the Staten Island ferry | © Tiffany Laufer

Remember taking a polaroid?  Gosh it seems like awhile ago.  Click!…  and after it shot out of the camera … you might have waved it around as the crowd of friends around you eagerly waited for it to develop?  Well recently – I’ve been waving my cell phone around taking photos with the uber cool Instagram iphone app.  It’s all the rage.

Instagram is what Polaroid should have invented before they died a gruesome death. Polaroid was the original instagram with their wonderful soft look and feel achieved in the chemical materials of the real deal you could hold in your hand.   Now though, the real deal has to do with the digital age – the iphone has become the camera, calendar, personal assistant and historical marker of our age.  It’s an amazing world we live in and I am endlessly fascinated with the new gadgets and technology emerging around me.

And yet, I haven’t even an ipad…because I keep wondering “What’s next?” I have started to ask friends and sometimes recent acquaintances even – “What’s the next thing?”, “What’s the next Facebook coming down the line?”,  ”Will we see it coming?”  Sometimes you have to be abit nosy to find out what technology people are really using.  I have always wanted to be an inventor.  That’s what this is really all about – I wish, so wish I could have invented something so simple and elegant and artistic as instagram.  But it’s crazy because it’s just taking something that we already had and repackaging it to the new era. The new day and age.  Gosh! It’s brilliant.  Why am I so amazed… because Instagram was acquired for a billion dollars by Facebook.

A billion dollars. Wow.

It’s Facebook’s largest ‘purchase’ to date and was said to be the sole decision of Mr. Zuckerberg himself.  Amazing! And to think that Polaroid and Kodak both didn’t have the insights to move ahead in this direction – how many stock holders did they have? How much time and energy invested in building a brand, in building a place in American culture and history.  I wonder if other similarly fated large corporate behemoths will reconsider who they hire in their R/D departments after the Instagram success? You hope so.

Macaroons from Luna Bakery

Macaroons from Luna Bakery | © Tiffany Laufer

Instagram is simple enough to operate.  After downloading the app onto your phone you launch the program and take a photo.  The photo appears in the main window to which you can choose one of 13 different filters.  I opt for Lo-fi most often.  The filers ‘Sierra, Early Bird, Toaster and 1977 all have that classic polaroid look and feel with the desaturated colors and soft quality.  The ‘Nashville’ filter even superimposes negative numbers onto the black edge mimicing a 2 1/4 format slide film contact sheet.  It’s pretty cool. You can also rotate the photo, turn the frame off, blur certain points of the photo – like I said – it’s pretty darn great.   If only Polaroid had hired me!

The Ohio Philharmonic Orchestra at the Gartner Auditorium May 4, 5 2012 | © Tiffany Laufer

Lily of the Valley in Doan Brook Watershed

Lily of the Valley in Doan Brook Watershed | © Tiffany Laufer

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Plan C doesn’t right the wrongs of the 1970s

When we began the school facilities master planning process in 2010, the one thing I hoped it would accomplish was to right the wrongs that had been done to our district’s historic school buildings. I was dismayed to learn that Plan C doesn’t do it. Plan C calls for the preservation of the high school’s historic 1925 core, demolition of subsequent additions and the construction of new compatible spaces. It also calls for renovating the historic cores of Roxboro and Monticello middle schools. But, alas, the three historic elementary schools the district plans to retain will remain as they are, with the unfortunate additions they gained in the 1970s intact.

The front entrance of Roxboro Elementary School prior to the addition of the media center in the 1970s.

A current photo of Roxboro Elementary School showing the 1970s addition that covers the original front entrance.

In 1972, Heights residents passed a $19.5 million bond issue to construct four new buildings and renovate the schools district wide. Four school buildings, dating from the early 20th century, were demolished and replaced with new, open-plan buildings that were identical in layout. The footprint buildings, as they became known, were despised by educators, parents and children alike, and it is worth noting that if Plan C becomes a reality none of the footprint buildings will remain in use as an elementary school (Taylor closed in 1986; Coventry closed in 2008; Fairfax will be closed and Boulevard will be demolished and rebuilt under Plan C).

New additions were constructed for the other district buildings. These new additions, while well intentioned, ignored the historic architecture. Additions covered the historic front entrances and turned the buildings backwards so that the main entrance faced the parking lot, making it more convenient for teachers who drove to school, but less convenient for kids who walked or biked to school. As I noted in an earlier blog post, this also had the effect of making the buildings seem unwelcoming (http://blogs.heightsobserver.org/2011/02/excess-capacity-is-closing-ch-uh-buildings-the-only-solution/).

A historic photo of Canterbury Elementary School.

I had hoped that these unfortunate additions would be taken off during this renovation process, but it’s not part of the plan.

“It is just too costly to take off the 1970s additions,” said Angee Shaker, director of communications for the district, when I interviewed her for a story about Plan C.

So what would it cost? Under Plan C, costs to renovate the elementary schools keeping the current footprint intact are as follows: Roxboro, $8.7 million; Oxford, $9.7 million; and Canterbury, $10.5 million. The district would spend almost $15 million to demolish the Boulevard footprint building and build a new structure, considerably more than the renovation costs of the other structures.

A current photo of Centerbury Elementary with some of the 1970s additions.

Scott Wagner, project manager for Regency Construction Services, one of the consultants working on the district’s master planning process said the cost of removing the 1970s additions would add almost $7.5 million to the cost of the master plan. Oxford would cost $13 million (an additional $3.3 million); Canterbury would cost $12.9 million (an additional $2.5 million); and Roxboro would cost $10.4 million (an additional $1.7 million).

 

Oxford Elementary School.

Oxford Elementary with the 1970s addition that covered the front entrance.

Not small change, to be sure. But, here’s an idea: instead of building yet another new Boulevard Elementary School, why not renovate the current Boulevard? Boulevard is not a great building, but renovations can make it better-and for less than it will cost us to trash it and start over. Use the cost savings to renovate the remaining historic elementary schools in an appropriate manner. Respect their historic structures and make them once again compatible with the beautiful historic architecture of the homes that surround them. Turn the entrances back around to face the neighborhoods once again. Make the buildings welcoming. Maybe then the folks who buy homes in our neighborhoods because they value their historic architecture will consider sending their children to our public schools.

If we don’t right this wrong, we’ll have lost a big opportunity. We’ll spend millions of dollars and suffer through transitions and disruptions as students are shuffled between school sites. Will it be worth it? I’m not sure, and I’m not looking forward to having to wait yet another 40 years before we have another chance to make it right.

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Why new faces on CH Council have been good for the city

It was a big surprise last week when Cleveland Heights City Manager Robert Downey resigned. I incorrectly assumed it had something to do with his health.

We’ve since learned that if he hadn’t quit he likely would have been fired – though the way it’s usually stated in the public sector is non-renewal of his contract.

I’ll be honest, I didn’t think our City Council had it in them.

I wish Bob Downey well; he served Cleveland Heights for more than 30 years and, as far as I’m aware, did so with integrity and concern for the community.

At the same time, I’ve been agitating for change. (Some examples: Public safety; Juvenile crime; Good government.) I’ve thought our government, both elected and appointed, has become insular and calcified – represented by too many people who have been in the same role for too long, and who haven’t worked outside of Cleveland Heights City Hall for decades, if ever.

It doesn’t mean they aren’t hard working or well-intentioned. But in the last 15 years or so, the work of governing has changed as radically as any other industry. Some outside perspective would go a long way to helping Cleveland Heights keep up.

After conversations with a number of people who are in position to know, here are the specifics that I’ve learned about why the City Manager had come under pressure:

The biggest issue was overtime costs in the Cleveland Heights Fire Department – which totaled about $700,000 last year. It’s a lot of money and the City Manager wasn’t able to explain it to the satisfaction of some council members. He also apparently failed to win confidence of the same council members that he was taking the issue any more seriously this year.

A second issue was a sense the City Manager was stonewalling on regional initiatives. In late 2010, when a group of neighboring suburbs formed the Eastside Departments Group Enforcement (EDGE) consortium, Cleveland Heights was conspicuously absent. EDGE’s first priority was to form a shared SWAT team. At the time, CH’s official response came from Martin Lentz, the city’s long-standing police chief (another deeply respected official who, in my opinion, had served for too long; he retired in late 2010): “We already have a SWAT team.”

Setting aside the obvious question – Why shouldn’t we look at sharing a SWAT team? – EDGE has since started discussing other initiatives such as joint dispatch services. Cleveland Heights and Shaker Heights have done joint dispatch for years, which apparently is what Downey told council members when they asked again about joining EDGE. But with Shaker Heights being a member of EDGE, could our own joint dispatch partnership be in jeopardy?

I also can’t help wondering how a more regionally minded city manager might have affected the direction of the Oakwood development in South Euclid and Cleveland Heights. The two cities have not collaborated on much over the years. By the time Oakwood’s 144 acres of prime green space went up for sale, it was way too late to begin talking about any shared vision for some transformative use of the land. The result: The pointless relocation of Walmart by a few hundred yards – from one city to the next, and from a tired old shopping center to a banal new one.

In Cleveland Heights’ form of government, city council is in charge of setting a policy agenda, and the city manager is in charge of executing it. But Downey’s undoing was a sense that he only did what he wanted – giving lip service to policy orders he didn’t feel like fulfilling. It was becoming embarrassing and increasingly frustrating for some council members.

Meanwhile, people like me were becoming more vocal – contrasting the city’s claims of ground-breaking government with our own observations of a plodding municipal routine.

With all that said, there’s value in emphasizing that Downey’s departure was a split decision. Four council members were in favor of it; three opposed it. Of those three, only one that I’m aware of – Bonnie Caplan – has publicly acknowledged her opposition to the change. The other council members aren’t naming names. I respect their professional courtesy and am sure others will shortly report on exactly who fell on each side of this decision.

Perhaps the most instructive thing I’ve learned is that the whole effort to demand more accountability from Downey was initiated by the council’s newest members.

The search for Downey’s replacement hasn’t yet begun in earnest. It will likely take the better part of a year. Meanwhile, it’s been demonstrated to my satisfaction that change on city council has been good for the city.

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A Moment with … Antonio Pompa-Baldi

Antonio Pompa-Baldi

Born and raised in Foggia, Italy, Antonio Pompa-Baldi first came to the U.S. in 1999 to participate in the Cleveland International Piano Competition in which he then won First Prize.  Shortly there after he and his wife, Italian pianist Emanuela Friscioni, decided to make Cleveland Heights their home.

Mr. Pompa-Baldi has toured extensively in four continents gracing the world’s most distinguished concert halls from Lincoln Center and Carnegie Hall to our own Severance Hall.  His performances have included National Television and Radio.  He is a Steinway Artist and also serves as Distinguished Professor of piano at the Cleveland Institute of Music.

What is a typical day for you, how does your day unfold?   There aren’t really many typical days, but when I am not traveling, I usually get up around 6:30, wake my daughter Eleanor up, the whole family has breakfast and then I take her to school. After that, I head to CIM, where I usually spend the whole day on Mondays, Tuesdays, and Wednesdays, teaching and practicing in between lessons. On most weekends I am out of town performing. In the last three weeks I played in Oregon, South Africa, California, and Florida. When I am traveling I go with the flow and try not to let anything affect me or stress me too much, as I am prepared for the unexpected.

What are your favorite aspects of living in the Heights? There is a lot of culture here, many people being artists and/or patrons of the arts. I also love being so close to CIM and University Circle.

If you could change anything about the Heights, what would it be?   I think it is pretty great the way it is!

What is your favorite restaurant in town? What’s the best thing on the menu?   I like several restaurants on Coventry, however, being Italian and so close to little Italy, we often go to our very favorite Italian restaurant, “Gusto”. Riccardo Salerno is a great host, and his great performances on the “Fisarmonica” are as exquisite as the food.

When did you know you wanted to study the piano?   According to my parents, I was 3 years old when I heard/watched a piano concerto on TV.  Apparently, I was mesmerized by it, and after it was over said that I wanted to play the piano. My parents bought me a toy piano, and I started playing by ear. When I was 4, they decided to take me to a piano teacher, and that I actually remember myself.

Franz Liszt Fantasizing at the Piano (1840), by Danhauser

If you could go back in history and listen to any one pianist – who would it be? And why?    There are many I’d love to hear. I’d love to be able to witness that “competition” between Mozart and Clementi, to hear those two styles and watch one of the greatest composers of all time, and the Italian Clementi, who is considered the father of piano music. If I only had to choose one, it would have to be Franz Liszt. He was apparently able to do things on the piano that no one else could even fathom, and his impact was such that he made the piano the true king of instruments.

What is the best thing about your job?  Again, so many things come to mind. First and foremost, you get to touch people, to move them through your sound, to connect with even strangers on a very deep level. As a teacher, I like to try and inspire. I don’t know if I always do, but it is my goal, and when I know that I have attained it, it makes me happy.

Who are you favorite composers you turn to for inspiration?   The piano has such an incredibly rich and fantastic repertoire! I always say, and truly believe, that my favorite composer, and my favorite piece, is the one I am playing, while I am playing it.

What books are you reading at the moment?  I just re-read Bel Ami, by Guy de Maupassant, one of my favorite authors. I am re-reading a novel by Sicilian great Luigi Pirandello, called “Uno, Nessuno e Centomila”, about a man who  discovers that he is not who he thought he was, but is “one, no one, and one hundred thousand” depending on how others perceive him to be, and that thought seems to drive him insane, but leads him to make some very liberating gestures and decisions.

What world topics are you most interested in?  The role of the arts and culture in society, which countries strive to give culture a prominent role, both through government policies and private support. What is being done in places where that role has been reduced, or never really existed in the first place. I am often appalled by the fact that often, politicians and people of power do not seem to understand that culture is as necessary as the air we breathe, and the food we eat.

Who are your heroes in real life?   Those who try to enhance the emotional, cultural, spiritual life of their fellow human beings, in whichever domain they might operate, provided they did it with total acceptance of everyone else’s point of view.

Do you have a motto you live by?  It is better to travel well than to arrive. – The Buddha  and Every wall is a door. -Ralph Waldo Emerson

………………………………………………………………………

Ohio Philharmonic Orchestra

Enjoy  Mr. Pompa-Baldi’s next performance May 4th and 5th here in Cleveland with the Ohio Philharmonic Orchestra.

Mr. Pompa-Baldi will be performing at the Cleveland Museum of Art‘s Gartner Auditorium: May 4th and 5th as a guest artist with the Ohio Philharmonic Orchestra playing Edvard Grieg‘s Piano Concerto in A Minor alongside the Holberg Suite by Grieg and Le Tombeau de Couperin by Maurice Ravel.

More information: www.ohiophil.org 
& www.pompa-baldi.com

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